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January 15th, 2013 | Audio Stuff, EarthBound, Uncommon Knowledge
A reader by the name of Iwant recent e-mailed me about trying to figure out where some of the sound samples used in MOTHER 2/EarthBound are from. Here’s the e-mail, along with the sounds in question for your easy listening:
Hi!
First things first, I really appreciate this site and the work you’ve done on the MOTHER series. If not for your efforts to make this series get the popularity it deserves, I may have never heard about it. And I wouldn’t be writing an article about it either! I’m indeed writing a rather large article covering the whole MOTHER series, which will initially be released in french but will also be featured in a translated version on HardCore Gaming 101 when it’s done.
So, why am I contacting you? Well, you see, I love sample-based music, so my love for MOTHER2’s soundtrack is no surprise. We all know about the creative use the game made of those samples… or do we? By exploring the game sound effects and fiddling with them in audio editing softwares, I’ve come accross a few intriguing occurences. You probably know that already, but what makes samples apparent in sound fonts is the fact they are more than just a stab/shot/keynote long, and that they have a distinct “lo-fi” feeling. And well… there are MORE of these than those we already know about.
I’ve edited them so that they sound more like what they would in their original context. I have no idea where they may come from, though… and that’s why I’m mailing you. Would you be so kind as to make a post on EarthBound central containing said samples, so that everyone can join in the hunt? When it comes to hunting down sample, having more brains is never too much. The involvment of the whole MOTHER fanbase would be of great help! I’ve included two versions of every sample to ease the research. So far, here’s what I think:
– First, the “woa” and “dont’t think” vocal samples from the opening. There’s something strange about their very existence in the first place: While all “voice actors” were credited in the staff roll (OK, Whistle, Belch, Venus, Mu), nothing is said about these two. Furthermore, there seems to be a small background noise on the “don’t think” one.
Woa sample:
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(download)
Woa sample (slowed down):
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(download)
Don’t think sample:
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(download)
Don’t think sample (slowed down):
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(download)
– Continuing with the vocals: The weird “wubble” from the background music of the Dungeon Man’s insides. If you slow it down, you can actually hear it says something. Something along the line of “welcome goldman”. I have no idea in what language this may even be spoken.
Dungeon Man sample:
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(download)
Dungeon Man sample (slowed down):
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(download)
– Going back to the opening: See the “Giyg Strikes Back” screen? Well, it does not only features the guitar riff of Mr. “Seeger” but also a distinctive background sound: When manipulated, it becomes clear it is sampled from a riot or something of the like. I thought it may be from The Beatles’ Revolution 9, but it doesn’t seem so. The people involved sound like they’re chanting a slogan, ‘cuz they all go “waaaaa-wa-wa-wa”.
Riot-sounding sample:
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(download)
Riot-sounding sample (slowed down):
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(download)
– And, at last, Giygas. Everything about him seems sampled. But two samples have attracted my attention: The electric-soundind thing from Giygas’ Intimidation and the aspiration sound from when he disintegrates. The first one is very unnatural when listened to and, when radically slowed down, it actually reveals itself to be a very sped up and high-pitched sampling of something like a submarine soundscape or a music from an old horror flick. The other sample, when sped up, actually sound like a chorus chanting or something of the like; not only that, but you can also hear it’s definetely cut off from something because of a tiny sound at the end of this sample.
Giygas sound:
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(download)
Giygas sound (slowed down):
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(download)
Giygas chorus sound:
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(download)
Giygas chorus sound (slowed down)
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(download)
So, that’s it. I hope this message reaches you, and I hope you will agree to take part in the hunt for these obscure samples’ source!
Now, I’ve already pointed out that the Dungeon Man sample is actually just Itoi randomly humming without realizing he was being recorded (and he didn’t know about it until 10 years later!) and that the Giygas sound was done by randomly taking some sound and then just pressing different keys until it sounded “voice-like”. Both tidbits come from this old MOTHER music discussion from 2003 that I can’t remember if anyone’s translated or not.
But I’m still just as curious as Iwant about where a lot of these samples might’ve come from or what they’re saying in some of them, if anything. If anyone has any ideas, feel free to share them in the comments!
| EarthBound’s All-Sample Music (23) Read More >>> | EarthBound Music Similarities (136) Read More >>> |
| Video of EarthBound Sound-alikes (8) Read More >>> | EarthBound and The Beach Boys? (35) Read More >>> |
Looking forward to checking these out when I get home.
I’d like to contact Iwant, I think there’s more samples I know about but am unable to actually extract. I don’t really have the technology to do what he’s doing.
No problem! My mail adress is iwanttobelievexfiles[at]hotmail.com (yeah I know, very 90’s-sounding), I’d be really interested in what you’ve found on your side.
It doesn’t require much technology, by the way. There is an applet called SNESOR (which I believe is available through Zophar’s Domain) that does exactly that: Extract the sound font from a SNES ROM. You basically end up with a large ammount of WAV files that contains the instruments used by the soundtrack. Note that the samples are stored at unusual speeds; for some reason, the famous Sgt Pepper sample is stored in a very slooow version, even though it’s never sampled that way ingame.
Just a thing I’d like to mention though: The article has two “versions” for each sample, which is how it should be, but the second one isn’t necessarily “slowed down” ; it’s just a different-sounding edit to ease the hunt.
I have the EarthBound Soundfont, and several of the sound effects are “instruments” on it. The Don’t think sound is actually somebody (I think the “I miss you” guy) saying “infinity,” but the sound compression makes the f’s and t’s sound like sh’s and kh’s. The soundfont sounds a lot much cleaner than these sound files here…I wonder why?
Like Vince, I also think that sample is someone saying “infinity”. You can use the EarthBound music editor to listen to the instruments at various pitches, as they would sound in-game. That might be helpful with identifying some of the samples.
The first “Giygas sound” listed sounds a lot like something ran through an image synth. I didn’t realize which electric sound it was until I played it back at a higher pitch. I threw it in a program that could analyze the image if it indeed did come from an image, and when played back at the higher pitch, it kind of looks like a face, but I don’t have a very good program to analyze it with. Maybe someone with FL studio can give us a better image of it?
@BlueStone
I have FL studio. If you can send me the files you have so far, I might be able to figure it out with the help of my friend who knows almost everything about FL.
My email is bluespagett@hotmail.com
Saggy, just download the wav file (http://earthboundcentral.com/misc/samplehunt/giygaswtf.wav), put it in a sampler track, and look at the spectrograph of it when you play it back at a higher pitch. My spectrograph has very low resolution and scale, so I’m still skeptical of it actually being a face. Also, I don’t know if digital photography was that accessible back in 1994/1995.
@BlueStone I’m not too familiar with FL studio so I’m not exactly sure how to play it back at a higher pitch. I’ll figure it out though. So far I haven’t seen anything too strange with the file.
what I’ve got so far without any pitch modulation.
Yikes. I didn’t even know these were vocal samples except for the “don’t think” that I remember clearly from the naming part. I really need to play Earthbound again. This is really interesting… And some of those creeped me out. 🙁
The “Don’t Think” clip almost sounds like it’s being spoken by the White Rabbit from Alice in Wonderland.
@Saggy It’s not nearly as bright in my spectrogram, and the resolution is 128×100, so it’s probably just an illusion, but rotating it clockwise 90º made it look sort of like a face half in shadow. Since it’s not detailed at all, I’m going to assume it’s just coincidence that it looks that way and is really something else.
@BlueStone
puu.sh/1Ohen
I changed the visuals a little bit, changed it to 32-bit and 44100 sampling. I don’t think there’s anything really.
I haven’t seen the “face” yet, but I think your assumption of coincidence is correct: http://earthboundcentral.com/2010/01/clearing-up-some-myths/
It’s still really long, or rather the playback is too slow. If you play it faster it’ll be more square-like and might look more like what mine shows. I’ll email you mine for reference.
Chimera, I’m not sure why you linked that article, but I wasn’t implying that the “face” had anything to do with Itoi (unless it as a picture of Itoi, as it seems to be a gag of the musicians to secretly include him into music).
Some news!
I’ve received a mail from Saggy that somehow made me look closer to a sample used for “Giygas is fatally wounded” (“for” and not “in” since it’s entirely made of this sample)… and I noticed there were clear “skips” in its audio spectrum, like someone had messed with the machine that produced the sound. I’ve edited the sample to remove these skips and now I’ve got a way more regular and continuous sample that may be easier to use as a basis for searching its source material… I guess. I still have no idea what said source material could possibly be.
Anyway: The sample as stored in game, the sample as heard in the track, a “skipless” version of the sample and said skipless version sped up. Here you go.
Note: As not to confuse you, this sampe is none of the two others that were posted in the initial article, it’s another one. And there’s YET another one left which is used in the intro just before the battle, but it just sounds like a lofi synth.
Is it possible to track down the individuals who mixed the sounds? I recall during the “how it is made” in many movies those sound mixers always do really crazy things to get the sounds they want. We will hear something that sounds like a cat meowing and discover that the sound people actually dropped a piano onto a tic tac instead.
I guess what I’m wondering is how can these sounds be analyzed at face value? Is it that simple?
Oh man, I was just recently thinking about what some of the game’s sounds sound like at their default pitches and where they came from! Going to have to remember this thread for when I have a Soundfont-compliant computer.
The Giygas’s Intimidation sound reminds me of the “mysterious sounds” I’ve seen before on Wikipedia, like Bloop: http://en.wikipedia.org/wiki/Bloop
Well, it’s pretty hard to “guess” what a sound could be indeed, for the very reason you mention: Everything sounds like… everything else, really. Even making out what is said on vocal samples is often confusing, just like that “don’t think” / “infinity” thing. So, our best bet is hoping we come across some guy who recognizes something he has already listened to in one of these samples… I guess.
Regarding the “individuals who mixed the sounds”, I’m pretty sure Hip Tanaka handled the whole thing, and it doesn’t seem like it’s all right for him to openly talk about it because of the legal stuff we all know about. Maybe I should try to mail him, we’ve got nothing to loose from this after all.
Ah, I hadn’t seen your post, EnnuiKing. And you’re definetely right, the Bloop is actually one of the first things that came to my mind when I hear the slowed down Giygas sample, which is also why I compared it to a “submarine soundscape”. Maybe we should check similar “unexplained” sounds, some of these were made public by scientific agencies before 1994.
I should’ve looked at the dates of those “unexplained sounds” before I posted one- most of them were discovered after the release of MOTHER 2. Whoops!
I do have another explanation for the particular sound, though – it was probably just something they cooked up with a synthesizer. Somebody mentioned an “image synth”, but things don’t necessarily need to be that complicated to generate a sound like that; just get a classic synthesizer with sine wave generation capabilities in the main oscillator and sample and hold capabilities in the LFO and mess around with that specific combination. Any program like Reason or FL Studios should have a basic synth capable of doing this, or you could even probably find a free analog synth VST and a one-VST host like Savihost and have virtually the same setup.
Yeah, the possibility that they made these “samples” themselves is still very likely. That’s the kind of thing we’ll never really know for sure, I guess.
Also,
“The other sample, when sped up, actually sound like a chorus chanting or something of the like”
It does sound like chanting. In the original game, before Giygas disintegrates (after praying 9 times), I can hear some chanting. *To me*, it goes like, “eeeeeeeh” and then a few beats, before looping, while a rather eerie noise plays in the background. I honestly can not think of an idea what the sample could be, but it does sound like the “chorus” was sung by women. …I’m just overanalyzing.
Also, the normal (not slowed down) Dungeon Man sample does sound like “welcome goldman”.
The other sample to me sounds like there’s a saxophone and a drumbeat going on the background in an 50s-60s R&B style. What sounds like chanting could potentially be a sustained note on a couple of brass instruments at once, but it also sounds pretty alien compared to what else is in the sample, so I’m guessing they mixed a couple of different samples into one for that one. Still, searching for 60s R&B music (or really any other kind of music that would use that instrumental arrangement from that era, like early funk/soul) could be prudent to find the underlying source of that sound.
The game’s musicians really took advantage of what the SPC chip had to offer. Most people just took whatever pre-arranged sounds they had from popular keyboards at the time to make SNES music, but Suzuki, Tanaka, and company really went out of their way to both make new sounds for the game and artfully arrange samples in a way akin to hip-hop music.
@Opinionated Tomato says at the end of the article that the “welcome goldman” was just Itoi randomly humming and didn’t know he was being recorded.
http://www.youtube.com/watch?v=ANkTtk0Kj7o
Video I made about Cave of the Past. I’m pretty sure the melody sampled ‘Glass Onion’ by The Beatles. Am I the only one who hears it?
You should have a share option like YouTube has for your articles. Your page always has amazing information about a game we are STILL learning new things about. Awesome game.
I’m getting a lot of “File not found” messages on the sounds clips… I’ll try reloading the page, but is anyone else experiencing this? I can’t listen to most of them…
Okay, it was just me. ;-; But yeah, these samples are seriously… weird. It makes me wanna play through the Giygas battle again and really listen to the sounds and noises in the background. Maybe I’ll gain a new perspective on just how creepy it is. I wasn’t particularly fond of EarthBound until I came up against Giygas, honestly. It’s the final battle that really made the game for me.
Anyway, I have no clue what any of these samples are from. Although hearing the Dungeon Man sample knowing that it’s Itoi humming is really fun. I also find the chorus sample to be rather interesting. And also extremely creepy considering it’s played during the Giygas battle.
none of them actually sound slower to me. they just sound higher pitched. thats still neat tho
Yeah, you’re right, it’s a little mistake in the article: They aren’t necessarily “slowed down”, just edited in some way.
To my ears, and with some prior knoldge, all spoken phrases are from Itoi Himself. The translations of the engrish is mostly correct. The one that is not here is the ” okay-desku” Witch is a bit more well known. Woah is self explanitory, and “dont think” may perhaps be “come think”, as its played in the naming portion of the game. As for the dungeon mans ” welcome gold man” I belive he is saying ” Welcome, go in” As this may have been inteded to be 2 files based on the tone of voice within the clip. Perhaps they were intended to be played at diffrent times but was scraped and dissorted into the wubble we know and love. Just a thought, I hope this helps clean things up 😀
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When it comes to VST synths, you can decide on whether you want to buy one, or you want to download one for free. Naturally, the best VST synths are really the one that you’re gonna have to buy. But there are a few gems out there that are for free.
However, there are so many “free VST synths” that downloading them all and installing them on your computer and DAW can be too time consuming.
So for this article, we’ve researched and compiled ten of the best free VST synths. That’ll eliminate a lot of trial and error for you.
Interested in seeing what they are? Keep reading…
The 10 Best Free VST Synths to Use
Check out these other studio and music production gear:
# 1 – Synth1 by Ichiro Toda
If there is one free VST synth that you want to get yourself familiar with, it is the Synth1 by Ichiro Toda. This synthesizer is actually a favorite among many music producers, and is often the one that’s most recommended.
Synth1 is an analog modeled subtractive synthesizer. It’s functions are modeled on the Clavia Nord Lead 2 Red Synth.
It features 2 oscillators, which can be modulated via FM, ring, synchronized, modulation envelopes. Using the 4 types of filters, you can sculpt some cool and interesting sounds, adding distortion for effects.
It has 2 LFOs, an arpeggiator, and tempo delay. These functions are synchronized with the host digital audio workstation’s BPM.
As far as effects goes, you get the ability to add stereo chorus and flangers.
In writing notes, you have legato mode as well as portamento for interesting slides, yet the ability to play up to 16 notes polyphony.
You have a total of 128 presets, and its controls can be automated.
Synth1 was optimized for light CPU load using SSE instructions. Definitely the first choice in “freeware” soft synthesizers.
Demonstration
# 2 – FireBird 2 by Tone2
After Synth1 we have FireBird, a synthesizer that was actually premium synth you had to BUY until the developers at Tone2 decided to release it for the masses after 15 years of development.
Tone2 is responsible for some of the best VST synthesizers on the market, many of which are used to create chart topping hits, FireBird 2 is one of them. So this is definitely recommended for your collection.
FireBird 2 is a subtractive synthesizer with a very intuitive and easy to use interface to navigate its 437 preset sounds. That’s a lot of presets for a free VST synth…
FireBird 2 features Harmonic Content Morphing, which utilizes a large range of standard waveforms that can emulate the sound of many instruments, acoustic or synthetic (kind of like wavetable synthesis).
The synth comes with 38 types of filters, including your standard low-pass filters, comb-filtering, EQ, Phaser, Vocal filters, plus FM and AM modulation, to name a few. It also comes with an arpeggiator, so no need to use an external arpeggiator with this device.
You can also customize its look as it has several skins you can download or create to change the interface.
Overall, another very good synthesizer to use, which has been used commercially on chart topping hits.
Demonstration
# 3 – Crystal by GreenOak
If you want a synthesizer programmed by the same person that made Omnisphere, one of the titanic synths in existence today, look no further than the Crystal by GreenOak.
This synthesizer is unique also because it’s available for iPhone. There are many user reviews talking about how great this synth works as a possible free alternative to Omnisphere (there’s another alternative below as well). Of course, don’t expect the same power, nor does it come with any samples.
However, that less power means it won’t be a resource hog on your computer (something Omnisphere is known to be). And you can find free and paid for soundfonts (.sfz files) all over the internet.
In terms of features, it’s credited as utilizing both subtractive synthesis as well as FM synthesis technologies. It’s modulation controls offers 90 parameters, multi-stage envelopes, tempo sync, delays, built-in effects for chorus, flanger, filters, echoes. It has everything you’d need in a synthesizer, which is great for someone learning. You can also use automation, as MIDI controls.
Overall, another good option for a free synthesizer.
# 4 – TAL-NoiseMaker by TOGU Audio Line
Next on the list we have TAL-NoiseMaker by TOGU Audio Line. We came across this synth because it was actually recommended (along with Synth1) as one out of two best free vst synth to use by a professor on synthesis. Mainly because it consists of all the aspects of synthesis that you need to be familiar with, as a beginner, plus its ease of use.
Looking at this synth, you can see why. Everything is laid of clearly, you don’t have to searching around too much for controls that you need when designing a sound.
This actual version was designed as an improved version of TAL-Elek7ro, which comes with an entirely new synth engine, with a few effects like reverb, chorus, low pass filter, and a bit crusher. You also get ring modulation as a synch-able triangle.
The ADSR is very suitable for slow pads or fast envelops attacks. It comes with 128 factory presents, 80 of which were designed by Frank “Xenox” Neumann.
It total, you receive 3 Oscillators, which can each be programmed individually for phase modulation, frequency modulation, or to generate sawtooth, pulse, noise, triangle, sine, square, or rectangle waves.
You get up to 6 voices, which is not a lot but not bad, which can be played in legato, portamento, or polyphonic.
All knobs can be learned via MIDI and automated within your DAW.
Overall, considered an incredible synth, chock full of features, and won’t disappoint as freeware plugin device.
Demonstration
# 5 – Dexed by Digital Suburban
Dexed by Digital Suburban This is a dedicated FM synthesizer, which is excellent for those looking for a frequency modulation synthesizer either to learn, or to general specific sounds. It’s actually designed based on the Yamaha DX7.
This soft synth was created for the intention of being a tool or companion to the original Yamaha synthesizer, particularly for those studying FM synthesis. However, it can be the go-to free synthesizer for those wanting to make some vintage sound genres like Synthwave, which were created using the vintages synths of the day like Yamaha DX7.
Many have considered it an improvement on the actual Yamaha model, plus it being lightweight, it won’t be resource hog on your CPU.
Expect it to work with your digital audio workstation, and to find lots of patches and presets on the web for you to download and to use.
Demonstration
# 6 – MiniMogueVA by Voltkitchen
If you’re looking for a free alternative to Arturia’s Minimoog, or G-Media Minimonsta, then this MiniMogueVA is your choice!
The MiniMogueVA has so many good reviews that it had be on the list. As the name suggests, it’s modeled to match the original Minimoog synthesizers designed by the legendary Bob Moog. Expect the sounds it produces to be particularly rich and juicy, great for funk style music, electronic bass music, and the sub bass in dubstep wobbles.
It features 3 oscillators, one with tuning control, the other two with fine-tuning sliders, and the ability to turn the third oscillator into LFO with dedicated modulation knobs.
Though the original Minimoog had no noise generators, this one actually comes with a the ability to create pink and white noises from the third oscillator.
As to be expected, you get chorus, and delay effects among others, as well as the ability to use MIDI learn to control your software device.
Many people overwhelmingly consider this the absolute best free VST synth on the freeware market. The Minimoog sounds featured in Omnisphere are great, so it’d be awesome to give this a whirl.
Demonstration
# 7 – Proteus VX by E-MU Systems
E-MU systems is the maker of pro audio gear, from hardware synthesizers, audio interfaces, wireless audio transmitters, and digital-analog converters, software instruments, and even audio cables. They’re well known for their quality products, but they also have hidden gem in the “freeware” market: Proteus VX, a free VST synth.
Actually, it is rompler, meaning that it also utilizes samples as well synthesized sounds (like Omnisphere, hence, a worthy free alternative). It was base on the Proteus 2500, a vintage hardware synthesizer. It has the same sounds and factory bank as the original version, plus the ability to control it via 16 MIDI CC controls.
It features “High Voice Polyphony,” which is dependent upon the power of your system, and 54 different filter types, including multi-pole resonant filters, phasers, flangers, vocal filters and multi-parameter morphing filters.
Another cool thing about it is that it offer 24-bit 192kHz high quality audio playback. So you can expect an actual pro level audio quality from a synth that’s actually for free!
Being drag-and-drop based, you have select your presets easily, plus it can be used VSTi within your DAW, or as a stand-alone application.
Only downside… it isn’t supported anymore. Meaning that there aren’t anymore updates. But you can grab it and see it works on your system.
Dungeon Synth Free Vst Download
Demonstration
# 8 – Superwave P8 by Superwave
The Superwave P8 is a virtual analog subtractive synthesizer that’s considered the go-to emulator of the vintage synth Roland JP8000. This one perhaps one of the few if not only best free VST synth on this list that is more suitable for an advanced user than someone who is just starting out. It features many controls and parameters that can be overwhelming to a beginner, but satisfying to a pro.
Now, about its sound, which should be the primary reason to using a synthesizer. Considering that it’s loosely modeled off the Roland JP8000, its users have considered it one of the best sounding free VST synths on the freeware market. Expect it to have a fairly unique sound suitable for trance, new age, electronic music, house, or even pop. The pads are what many users consider its most attractive asset, because of the richness and thickness of the sounds that the P8 produces.
It features 2 oscillates that will producer sine, sawtooth, ramp, triangle, pulse waveforms, as well as white noise and pink noise. You can control the oscillators with using fine-tuning, detuning, and synchronized modulation. Its filters consist of 2 resonant filters, low pass, band pass, and high pass. It has 2 controlled amplifiers by level, pan, and on/off switch. The effects I see is simply a pair of mono delays, which can be controlled. You get up to 8 notes of polyphonic operation, portamento controls, and 64 high quality presents, all which can be controlled using MIDI CC control with “learn” capability.
If you aren’t familiar with it, and you already know your way around synthesizers, give it a try yourself. Chances are, from other reviews I’ve read, it is worth looking into.
Demonstration
# 9 – OB-Xd by discoDSP (prev. Datsounds)
There is a challenge with curating this list of best free VST synths, because, so far, many of the VST synths we have named can really be considered the “best” free synthesizers you can download. And discoDSP’s OB-Xd is constantly referred to as the “best” as well. And listening to its sounds, utilizing it’s interface, and working with its features, it’s hard to not see why this synth isn’t actually THE best. But, so are many of the others on the list…
So, what makes this one unique?
For starters, it was modeled on the Oberheim OB-X, OB-Xa and OB-8 synthesizers. These classic vintage hardware synths were famous back in the day, and contributed to many hit records. Right now, they continue to enjoy their legacy in this freeware plugin.
The developers claim that they are not “copying” the originals, but rather take the same features and improve upon them. Whatever that means, it just sounds good to me.
Expect all the features you should find in a standard synthesizers, as well as some cool sounding features like the “continuous blendable multimode filter,” which is a filter allowing you to blending different filter types (such as high-pass, band-pass) in different dB modes. Also, it works on 32 bit or 64 bit versions of Windows OS, as well as Mac.
If you want the classic sounding vintage synth Oberheim for practically nothing, or at least to get yourself familiar with it, give it a trying and download it.
Demonstration
# 10 – 44 S by GTG
Finally we have a synthesizer crafted by someone who creates synths strictly for personal use. Yes, the 44 S by GTG is synthesizer created by a musician and synthesist, and offered to the public for free.
Actually, there are many synthesizers by this creator for free, so you can take a look at his entire collection, starting with this GTG 4 S.
This particular synth was design to give a flat sound that you can sculpt. You can use the filters for creating interesting and pleasing distortions in the resonance. It also feature filter modulation, pulse-width modulation, and the ability to track the LFO with the keyboard.
This definitely another synthesizer to consider to try using. It is free, and has a good sound. Check it out.
Demonstration
Final Thoughts
Dungeon Synth Free Vst Downloads
As you can see, there are several options for downloading and using free synthesizers. Compiling this list was not as not a simple task, as there are several options that are actually very good. But you can know that this list covers practically all the 10 best free synth plugins that you can download.
We hope you enjoyed this post, and enjoyed discovering some possibly new free toys for your plugin collection.
If you have any thoughts, suggestion, or even question, please comment below in the comment box. We’ll be happy to know if you’ve ever tried one of these, or what you think is the best free synth plugin on the internet today.